Behind most professional food photos is a stylist who tricks the viewer. These deceits
range from a touch of lipstick to redden a strawberry, to “milkshakes”
made from mashed potatoes. It’s not that food stylists are liars and
cheats. They’re simply in the business of improvisation.
Throughout the 10 hours it takes, on average, to complete a photo
shoot, stylists are expected to solve any given crisis on the spot. No
tzatziki on set? Make do with the mayonnaise or whipped cream in the
fridge. A client wants that turkey skin to look a “little more red”?
Better have food coloring on hand.
“When shooting, you can’t stop and say: ‘Hey, ugh, I forgot this,’”
explains Denise Stillman, an Orange County-based food stylist who’s been
in the business for 26 years. “You just have to make sure you [bring
enough materials on set to] cover all your bases and then [ask
yourself], ‘What else can go wrong?’”
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But
not everything is faked. The product the advertiser is trying to sell
is always featured, explains Stillman. When, for example, she shoots an
ad for Breyers, she shoots the real ice cream. But if she’s styling Gay
Lea Foods’ whipped cream, the ice cream it rests atop can be made of
anything – so long as it looks delicious.
Whether shooting a television commercial or print advertisement, a
food stylist’s goal is often to emphasize an ingredient’s natural
beauty.
“I’m like hair and makeup for food,” says Charlotte Omnès, a stylist
based in New York. “When you see models walk down the runway, they don’t
look like that. But after they come out of makeup, you’re like, ‘Wow.’”
If you want your Instagram food photos to resemble Bon Appétit
covers, we’ve collected some pro tips that will help. Six food stylists
served us their secrets on how to make common dishes look ready for
their close-ups.
Enchiladas: mashed potatoes give the appearance of bulk
Mexican food is not the most photogenic. No one knows this better
than Kim Krejca, a Phoenix-based stylist who works with a lot of
south-western cuisine. “Enchiladas with sauce bleeding into the beans
[are] not very visually pleasant,” she says. “You have to modify that
but still be true to the food.”
To give the enchiladas the appearance of bulkiness (as seen above),
she stuffed them with instant mashed potatoes, a stylist’s go-to filling
because they are easy to make and mold. Then Krejca added meat and
veggies to the ends where the tortillas open up. To finish the dish, she
used a heat gun to make the cheese melt perfectly on top.
In real life, tacos are a delicious mess. To make them presentable on
camera, Krejca glued two tortillas together and placed cosmetic sponges
behind the meat to keep the shells open. For dark and juicy-looking
beef, she painted the pieces with a brown sauce called Kitchen Bouquet,
made of water and food coloring. Krejca then sprayed the filling with
WD-40, her secret weapon to make Mexican food glisten. Stillman uses red
peppers in place of diced tomatoes for a more vibrant color and pours
corn syrup on beans so they look moist and fresh.
Cereal: hair products make a perfect ‘milk’
Do you prefer your cereal dry or with hair cream? Photograph: Photo by
Chris Elinchev at Small Pond Productions. Food styling by Tamara
Kaufman.
This may ruin your appetite, but the milk used in cereal photos is
usually fake. Since the real stuff quickly makes cornflakes look soggy,
food stylists have come up with alternatives. In this photo,
Wisconsin-based Tamara Kaufman used Wildroot, a white hair cream for men with a sunscreen lotion-like
consistency that many stylists covet. Krejca prefers the old-school
method of white glue, which photographs just like the real deal. When
pros do use actual milk, it’s only a very small amount. According to
Michelle Rabin, a Toronto-based food stylist, you can place the most
beautiful pieces of cereal in a bowl filled with vegetable shortening
and cover it with a thin layer of milk. “The shortening resists the
liquid and it looks like the whole bowl is filled with mounds of
cereal,” she says. “The pieces will stay pretty crisp for a long time.”
Coffee: watered down soy sauce and gelatin give a smooth look
For a smooth-looking coffee, try water and gelatin. Photograph: Photo by
Beth Galton. Retouching by Ashlee Gray. Food styling by Charlotte
Omnès.
Black coffee is hard to work with because of its oily sheen. In a latte or cappuccino, the foam
will quickly evaporate. In this photo, Omnès used a combination of
Kitchen Bouquet, water and gelatin to give the coffee a smooth look. In a
pinch, Rabin has used watered-down soy sauce and once had to improvise
with cream and gravy browner on the set of a popular Canadian brand. “I
see that billboard I worked on and I’m like: ‘That’s funny, because
that’s not a coffee,’” she says. Kaufman uses the real deal when
possible, but adds drops of soapy water around the perimeter with an
eyedropper to simulate fresh brew. The froth, stylists say, is often
made from piped soap foam.
Turkey: it may be raw and bloody inside, but the skin looks good
Undercooked turkey is often featured in ads. Photograph: Photo by
Marshall Troy. Prop styling by Grace Knott. Food styling by Charlotte
Omnès.
Every home chef knows it’s hard to make a bird crispy on the outside
and moist on the inside. Luckily, food stylists only have to focus on
aesthetics, which means they never fully cook one. “It is important not
to overcook them so the skin stays looking moist, plump and juicy,” says
Omnès. “These are visual cues that make your mouth water when you look
at it.” New-York based stylist Brian Preston-Campbell says he often
roasts five or six turkeys for a few hours each to get that “perfect
hero bird”. “It’s still raw and kind of bloody inside,” he says. “It’s
kind of nasty but it’s about the end product in the photo.”
In this shot, Omnès pinned down the turkey’s skin so it wouldn’t tear
in the oven. She lined the pan and stuffed the bird with a water-soaked
paper towel so it would steam instead of turn crispy. To achieve that
brown, glistening look, she brushed the turkey with a mixture of water,
Kitchen Bouquet and dish soap.
Ice cream or whipped cream: shortening, corn syrup and frosting
If ice cream were a human model, she would be a diva. The dessert is
hard to mold, and if you’re not styling in a refrigerated space, melts
quickly. To avoid the headache, experts often turn to other ingredients.
To create the “ice cream” on the left, Omnès mixed frosting with icing
sugar (the cone on the right is the real deal), but the most common fake
ice cream recipe is a combination of vegetable shortening, powdered
sugar and corn syrup.
For other milky desserts, stylists have many hacks. For a dollop of
whipped cream, Omnès used a non-dairy creamer that “does not wilt or
weep”. Kaufman prefers Barbasol shaving cream but notes: “The woman who
mistakenly tried a bite was not pleased.” For milkshakes, Stillman uses
sour cream because it’s thick and easy to swirl.
Drinks: that frosty glass? It’s spray-on deodorant
If your drink lacks the right sheen, just spray some deodorant on it. Photograph: Alamy
Stylists don’t waste real booze unless the ad is for alcohol. To make
cocktails, Omnès mixes food coloring in water, a trick Kaufman also
uses to create “chardonnay” from diluted Kitchen Bouquet. In truth, the
liquid itself is the sideshow. “The most important part about cocktails
are the visual cues,” says Omnès – cues such as ice, fizz, bubbles and
froth. “They [make the drink] look refreshing.”
For frozen drinks like margaritas and daiquiris, the pros rely on ice powder, bits of gelatin
that look like crushed ice when mixed with liquid. They also use fake
plastic or acrylic ice cubes, which don’t melt under the hot camera
lights and vaseline on the rim of margaritas. To create frost, Stillman
coats a beer mug with spray-on deodorant and uses a mixture of
Scotchguard and glycerin to make soft drinks look icy cold with beads of
condensation. “What a hassle it would be otherwise,” says Stillman.
“This way, you can choose the level of wetness on the glass.”
Steamy pasta: incense gives the appearance of steam
That moment when steam rises up from pasta like mist over a mountain
is hard to capture naturally on camera. Kaufman hides a tin foil package
of steam chips
inside the pasta bowl and adds water to create vapor. To get the same
effect, she has also lit incense and later removed the stick with
Photoshop, while other tricks involve a clothing steamer or cigarette
smoke. By far the most interesting method is to microwave water-soaked
tampons (cotton balls work as well) and bury them behind a dish. “I have
them in my kit just in case,” says Kaufman. Regardless of the
technique, she says steam should always be shot against a dark
background.
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